![]() ![]() Romeo Santos, Drake - Odio (feat.This is my list of my favorite 2018 songs. Julieta Venegas, Ana Tijoux, Rubén Albarrán - Vuelveĩ9. Banda MS de Sergio Lizárraga - Solo Con Verteĩ4. Lin-Manuel Miranda, Artists for Puerto Rico - Almost Like Prayingĩ3. Monsieur Perine, Vicente Garcia - Nuestra Canciónĩ2. Dj Luian, Mambo Kingz, De La Ghetto, Arcangel, Ozuna, Anuel Aa - La Ocasiónĩ1. Enrique Iglesias, Descemer Bueno, Zion & Lennox - SUBEME LA RADIOĨ9. Niña Dioz, Lido Pimienta, Ceci Bastida - TambaleaĨ6. Maluma, Trap Capos, Noriel, Bryant Myers, Juhn - Cuatro BabysĨ5. Calle 13, Totó La Momposina, Susana Baca, Maria Rita - LatinoaméricaĦ3. Jennifer Lopez, Gente De Zona - Ni Tú Ni Yo (feat. Cardi B, Bad Bunny, J Balvin - I Like Itĥ9. Major Lazer, Anitta, Pabllo Vittar - Sua Caraĥ8. DJ Snake, Selena Gomez, Ozuna, Cardi B - Taki Takiĥ6. Hello Seahorse! - No Es Que No Te Quieraĥ3. Los Angeles Azules, Natalia Lafourcade - Nunca Es Suficienteĥ2. Gente De Zona, Marc Anthony - La Gozadera (feat. Bocafloja, Veronica Ruiz de Soultik - LuzĤ9. Natalia Lafourcade, Los Macorinos - Tú Sí Sabes QuerermeĤ4. Nio Garcia, Casper Magico, Bad Bunny, Darell, Ozuna, Nicky Jam - Te Boté (Remix)Ĥ0. Wisin & Yandel, Jennifer Lopez - Follow The Leaderģ8. Ximena Sarinana - Sin Ti No Puede Estar Tan MalĢ8. Enrique Iglesias, Nicky Jam - El PerdónĢ5. 3BallMTY, América Sierra, El Bebeto - InténtaloĢ0. Ricky Martin, Natalia Jiménez - Lo Mejor de Mi Vida Eres Túġ7. Michel Teló - Ai Se Eu Te Pego! (Ao Vivo)ġ4. Calle 13 - Baile De Los Pobres (Album Version)ġ3. Camila Cabello, Young Thug - Havana (feat. Enrique Iglesias, Descemer Bueno, Gente De Zona - BailandoĠ3. The urbano movement-the trap, hip-hop and new reggaetón now synonymous with Latin pop-disrupted the music industry with “Despacito”, which changed the entire game when it became the most streamed-song in internet history.Ġ2. But the biggest success story of the decade was reggaetón’s second awakening, fronted by the likes of J Balvin, Ozuna and Maluma, who catapulted the genre to worldwide prominence. And lest anyone forget, the Mexican cumbia virtuosity of Los Ángeles Azules and Maná’s stadium pop-rock kept those well-established genres thriving. Meanwhile, Carla Morrison’s wounded pop and Natalia Lafourcade’s bolero brilliance elevated the romanticism of the singer-songwriter even higher. In Chile, Javiera Mena’s unapologetic synth stabs sparked a disco-pop reverie across the southern continent. The decade began with the electro-cumbia craze going strong, led by Bomba Estéreo’s tropical dance movement. Latin music isn’t just a genre but a multifaceted culture that knows no boundaries, and the 2010s reflect how its wide-ranging styles branch out globally. ![]()
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